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What's The Story With This Hole?

by Craig Hallsworth

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1.
I stopped believing There were your kind in the world I struck a match in the dark I cupped the tiny flame I had a feeling I didn’t know its name I saw an electric guitar Leaning against an amplifier I saw strange drawings and scribble All over the wall I saw the carpet crawl How would I ever find my way Out of that wilderness? We were born To forget the splendour, I guess And like the drums We need the emptiness That doesn’t mean we won’t be vouchsafed a sign Or handed a line … As if we’d never heard it once before … As if we’d never heard it somewhere before … I stopped believing There were your kind in the world … Now most of the gear’s been stolen Lost or pawned Another day has dawned And what a marvel is modern man
2.
And with every little thing we say and do We’re taking sides with them Against me and you And when we think we’re just living Somehow we’re doing their killing for them We’re like faces at the window Smiling with the eyes crossed out They see us in their dreams Faces at the window While they dream … And when they get up and walk down the hall It’s all happening in someone’s head They have a concept and we inhabit it Like a silver orb by the bed Sometimes they seem dead to the world But they just want us to try to run away How could something beautiful have left such a stain? Is there no escaping this refrain For the disembodied voices singing? It’s just another everyday ghost song So sing along It’s an everyday ghost song … Everyday ghost song … Everyday … Everyday …
3.
Come on, son, you have to get up with the sun Shrug your shoulders before day is done The night air belongs to cicadas The heart belongs to its invaders Come on, son, you have to keep up with the sun Roll your eyes before the day is done It’s only a sense of foreboding It’s not the whole world exploding Come on, son, you have to go down with the sun Meet a strange fate when the day is done A new dawn will break when it’s over Clean and clear-eyed and sober It’s over How do you know when you’re sober? How do you know when you’re sober? … I’ve heard there’s a beautiful light Wait – no, I was thinking of that other thing We never had this conversation What becomes of an agile mind? How is it the empty circle is spilled? Just a stray, sniffing at a proffered finger One thing matters, one thing is real It was there a minute ago Reflecting a spiritual stagnation Now we’re standing here face to face A smazy dusk bestowing its grace We’re not having this conversation One thing is boredom, one thing is confusion Two can contuse wrestling an illusion Oh baby, baby, baby Put it down to planetary rotation The stairway to self-abnegation The scream of the flying crustacean Oh baby, baby, baby … I walked alone I froze and burned I slept alone I froze and burned I woke alone I had returned I’m not alone I have returned
4.
To be here, a distant dream So you have to wave and scream Is someone breathing in the hall? Is someone walking through a wall? Was someone carried by the crowd Worshipping a burning cloud? But I’ve got time for mysteries Still, they perish on the window sill Where do you go everyday? The skies at night are my other future The streets at night are my other youth Your sweet face is my other zero Your lost lover is my other hero Your treachery is my other truth … This treachery is my other truth … It’s a kind of winnowing The molecules begin to sing Before you disappear again I realise you were also my friend Wish there were something I could take A blue planet for a minor ache Or a blue planet for a minor ache A word for such astonishment: A hangover This space for rent Who are you when you’re at home anyway? This Mexican Fender is my other guitar I’m bleeding now from the other side We’d live again if we could only get there This vortex is my usual weekend It’s patrolled by an unmanned drone Are we blind, are we all alone? Are we statues, are we made of stone? Or are we statues, are we made of stone? We see the light but we’re too far away We can see the light but we’re too far away … We’re too far away …
5.
Then I say, “Pretty speeches are not my thing - Just give me noisy air-conditioning” They’ve got headphones on In a van in the street below Is it only that I’m programmed to show My humanity in the lurid blue glow Of a digital clock by the bed In a room with a seascape print? Fuck off imperialist scum But they don’t understand You’ve got to give them a hint Was there any news today? The Sphinx is working for the CIA The Sphinx is working for the CIA Don’t waste water, and put your pistol away I thought she said the Sphinx is working for the CIA Turn out the lights, and throw your garbage away Don’t you know the Sphinx is working for the CIA? The Sphinx is working for the CIA … Days gallop into the night Blood drips out of a stone Turtles swim in the sky Our two lovers are not alone ‘Cause they have each other to live for In this overcrowded place … I forgot the question But what if the answer’s an amateur from outer space? We arrived before dawn At Judges Bay Road And let ourselves in You might be surprised to learn The door was unlocked But we left straightaway A man on a bench raised an eyebrow A tree on a hill looked as though it were where it was meant to be It was a blissful tree I confess I put on your glasses for fun And then while I was at it I read a poem It located my soul like a water-colour x-ray Crashed into my mind like some kamikaze butterfly Ah, that’s why That’s why That’s why That’s why …
6.
Poseidon’s daughter came to bring the things I’d lost back to me When I was down and out sunbathing in a cemetery by the sea Oh the road didn’t lead to the tower Or whatever it was I could see in the distance You could say it was paved with shattered illusions And that I never saved anything for a rainy day And now it’s a rainy day I had a dream – I was busking And someone was shouting, “You’ll never be Craig Hallsworth!” To which I replied, “Hey, I’m pretty sure I’m blowing him out of the water!” Oh the rose that is a rose that is just a pose Struck in the twilight – that’s the way it goes You’re making it up as you walk along And it becomes your song Even though you don’t belong, it becomes your song How does it feel to arrive And be so empty and alive? The world’s wearing a transfigured face Every raindrop’s falling into place Standing in those worn out shoes Far from the land of rave reviews And all that stuff that leaves you cold … Oh because the road doesn’t lead to the tower Or whatever it is you can see in the distance Sometimes it’s a steep learning curve So you can fall down and weep Or you can just go on your nerve As the poet said, you just go on your nerve The road doesn’t lead to the tower Or whatever it is you can see in the distance They say it’s the irritating insistence That accretes the pearl
7.
I couldn’t comprehend what I was seeing It was some kind of message of love From a golden being That appeared to me And when I woke up I was bruised and bleeding Sometimes you wonder about the life you’re leading Why don’t you fly away, bird? Or haven’t you heard You can defy irony? Stardust on your wing And an eternal tinge to your eye Losing everything but getting to keep the handle It’s not nothing to hold on to I stole a stethoscope to try to locate the beat I called an ambulance because I had cold feet Yeah, imagine how the poets feel Competing with a helpless squeal in the night Everybody’s investing in some fantastic plight Who could be happy lying wiggling their toes in the sunlight? Hello, is anybody home? I don’t know, you go for a walk In a lonely field And you get a reputation Step inside, the door’s wide open And your fate is sealed But there’s still time for one more toxic affirmation … Everybody’s investing in some fantastic plight Who could be happy lying wiggling their toes in the sunlight? Imagine how the poets feel, competing with a helpless squeal in the night Who could be happy lying wiggling their toes in the sunlight? In the sunlight In the sunlight In the sunlight …
8.
If I were alone on a desert island And all I had to listen to was this I’d throw it in the sea I’d throw it in the sea I’d throw it in the sea It’s just our destiny To be the Great Amnesiacs It’s not enough that everything began Way back when It must begin again Michael howl the execrations Sister help to fuck shit up Can you hear your own footsteps? Can you hear your own footsteps? Can you hear your own footsteps? Tonight I watched the eighth best film of all time I toughed it out ‘til I woke to find It’s an amazing world Oh, it’s okay I love you, anyway And I’m happy to meet your ambrosial friend But I’m sorry to meet this prosaic end Wandering through these factories and mines Laughing at the working man Laughing at the working man Laughing at the working man What are you gonna do? Take a drive to Stony Batter Just give up and turn around Who killed your summer day? Who killed your summer day? Who stole your summer days? Sometimes it seems to me that natural spontaneity is the Devil Then he’s in the phrasing, in the mannered style Listen, you can hear him smile Then she pulled out a cell phone Held together with elastic bands
9.
Jonah, he lived in a micro-apartment And he came up with a theory About fish being addicted to alcohol But he had no way to prove it He used to get up at dawn and go walking Down by the sea He would watch the waves rolling in Thinking, “Whatever happened to me? Am I the only one with a sense of mystery? All I ever seem to hear Are fools lamenting all the foolishness in the world Then one morning he was passing a newsstand And in the photo of some American rock band He saw himself with a guitar and long blond hair And all he could do was stand and stare … There’s someone in the crowd tonight So far away, but suddenly the end is in sight She’s carrying a Saga Stone in a bloodied scarf Held to her right ear Because there’s something she wants to know Because there’s something she wants to know … It’s better to start out One fine day And be overtaken Who are you truly? And what will you show me? Lonelier than a sign Amid all the scratching And clawing at life Here comes that frail chance Here comes that frail chance But what if you’ve crushed Your spirit guide Like a bug, accidentally? If no one is watching this I’ll turn it off It’s a waste of electricity They’re strolling backwards Along the beach The low sun slowly climbing Wearing a kimono As if she were real Pouring green tea with roasted rice They made love in the afternoon And slept while a vine Grew in through the window

about

With over 30 years of songwriting experience under his belt, Craig Hallsworth makes What’s The Story With This Hole? feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.

It’s this juxtaposition that makes What’s The Story With This Hole? so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, “To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”

“Craig Hallsworth knows his way around a tune with this set of sparkling power-pop, set with a country twang and cosmic touch” – 2ser on Tangled Star’s album Let’s Adjourn to the Garden

credits

released October 24, 2016

Recording, mixing and programming:
Al Smith at Bergerk!
Mastering: Simon Struthers at Forensic
Sleeve art: Stuart Medley

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about

Craig Hallsworth Perth, Australia

Craig Hallsworth attempts to resingularise, for himself, the experience of a rock or pop song. He doesn’t approach it from the outside, in terms of styles or genres, but from the inside, as a field of affects and intensities. For him, songs are about the desire to play guitars and drums and to sing, expressing the poetry, humour and absurdity of a person finding themselves in this situation. ... more

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